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Creative Partnerships is a government-funded national initiative,
established to develop schoolchildrens potential, ambition, creativity and
imagination. It supports sustainable partnerships between schools, creative and
cultural organisations and individuals. I was commissioned to do some work in
a South London school for children with severe learning difficulties and autism.
Our project was to facilitate the creation of individual photographic
artworks with each pupil. There were also some group compositions.
Using a torch in totally blacked out improvised studio, each pupil painted
their own design in space with a light beam during a 10-15 second exposure. An
aspect of their engagement with what they were doing was captured in an instant
with a single burst of a flashgun. It required from the pupils a degree of coordination,
creative self expression, self discipline, consideration of others, and repeated
generous acknowledgement of each others efforts. I and
my assistants arrived on the first day with good heart but rather limited expectations.
We had energetic assistance with general communication and setting up from two
dance students based at the nearby Laban Centre. The Laban students had been working
on movement with the pupils for some time and were able to make a number of very
useful suggestions and practical contributions. The pupils
responses to the project were remarkably creative and enthusiastic. We set it
up so that each pupil performed their light painting with all of the
others looking on, and each child got an enthusiastic round of applause from all
the other pupils at the end of their two performances. They
seemed genuinely excited and rather pleased with themselves. To my great and pleasant
surprise, at the end of the overall session several pupils came up to me to thank
me. Theyd so obviously enjoyed themselves. I was quite choked. I had not
realised either that it had meant so much to them, or that they had understood
so much about the process and our respective roles. It got
even more emotional when we returned to the school to show them the results. The
idea was that we would help them decide which images of each of their
individual efforts would be chosen for a wall display of 10 x 8 prints.
Again, I was surprised at the degree to which the children were able to identify
themselves on the contact sheets, take such pride in their own efforts, express
clearly reasoned preferences, and perhaps most heartwarmingly be
so complimentary of each others efforts. To summarise. Experiencing
their responses I am clear that it worked for the pupils. Many of the resulting
images are fascinating and beautiful. The big surprise was seeing what a very
rich, rewarding and moving experience the process provided for me and my assistants. I
would love to create other projects, either at that school or further afield.
A postscript. I have a friend who is a senior
educationalist in Oxford with considerable experience in the field of learning
difficulties etc. She speculated that one of the reasons why the project may have
worked so well for these particular children may have been the fact that they
were being creative and communicative in almost complete darkness, and thus relieved
of a lot of the sensory input and challenge that normally affects their social
interaction. Who knows? |